Farewell to the Bridget Jones Years

I am most definitely on the extreme side of the extroversion scale. I once read that the true difference between introverts and extroverts is that extroverts (generally) gain energy from being around others, while introverts tend to feel drained by being around others. This makes perfect sense to me, because I have always felt that being around other human beings fuels me like a Red Bull and an ice cold shower. I purposely pack my calendar full of dinners, brunches, and coffee catchups with friends because spending time with people I admire gives me a deeper sense of connection and belonging. Despite being a proud fan of the coveted ‘Duvet Day,’ I find that I end up hating the way my throat feels after an entire day of not talking to another human being. (Before you accuse me of loving the sound of my own voice – of course I do. I have a podcast.)

With all of that being said, it will probably come as a surprise that I have lived entirely by myself for the past two years, have loved every goddamn minute of it, and genuinely believe that every extrovert should live on their own at some point if given the opportunity. By the time I moved into my tiny one bed flat in Battersea, I had lived in boarding school dorms, college dorms, a Chicago apartment with the Rachel to my Monica, and a flatshare in North London with a couple who turned into lifelong friends. I feel like I have earned the right to say that I’ve seen it all. I’ve woken up at 2AM to the smoke alarms after my college flatmate and I fell asleep with a pizza in the oven. I’ve begged my high school roommates to keep guard while I snuck a boy into my dorm. I’ve even had to ask a randomly allocated college dorm mate to please stop blogging about my private phone conversations with my mom (God, college is a weird place).

When I packed up my bedroom in my North London flatshare and ventured south of the river, I was so ready to start my solo journey that it didn’t faze me when friends and coworkers asked, ‘But won’t you get lonely? Don’t you want people to talk to in the evenings? Won’t you get bored?’ In fact, I only felt apprehension twice when moving into my own place: once when I saw my credit card bill after buying all of the essentials you need to live on your own (living solo is obscenely expensive) and once when I watched the episode of Sex and the City where Miranda has to give herself the Heimlich Maneuver using the corner of her countertop because she starts to choke and has no one to help her. Besides these two crises, once I lugged all of my stuff into my tiny Victorian conversion flat I never really looked back. I knew that living entirely by myself was an opportunity I never had before, and an opportunity that might not come again, so I grabbed it.

I think a common misconception about extroverts is that we always want to be around people. While I do agree with the idea that extroverts obtain energy from socializing, we are still human beings. I get stressed and tired and moody and hungover just as much (read: probably more) than any other person, and in these moments there is nothing I love more than to cancel all of my plans and completely isolate myself from society. You see, this is exactly why living alone is so beneficial for hyper extroverts like me. I love nothing more than to socialize all day and every day, but I only like to do so when I am bringing my best self. Living alone has allowed me to choose exactly when I want to be my normal, extremely extroverted self, and when I just want the world to sod off. When I’ve had a long, crappy day at work, I can come home and fester in solitude without having to subject anyone else to my less than desirable mood. Living solo has given me the ability to fully ‘switch off’ and bring a better version of myself to work in the morning.

I’ve started to refer to this period of my life as the Bridget Jones Years because to me that’s exactly what it has been. It has been a massive period of growth where I have somehow simultaneously managed to learn how to take care of myself, but also come home from a night out at 4AM, accidentally spending £30 on a drunk takeaway that I won’t even be awake to collect. I’ve learned how to manage the 70 bills a month associated with renting in London, broken boilers, and passive aggressive neighbors. I’ve left dirty dishes in the sink after a long day because the only person who can be annoyed with me tomorrow is me, and I’m generally fairly forgiving. My flat has been my sanctuary for home cooked meals on a Tuesday night, for crying on the phone to my mom on a Sunday afternoon, and for not having to explain to anyone who the overnight guest was on a Saturday morning.

I don’t ever remember anyone telling me that the ages of 23-25 are particularly formative, but to me I think they might have been the most pivotal in my life thus far. As I sit in what remains of my Bridget Jones flat in Battersea, I find myself reflecting on the past two years with the sort of clarity that only comes with hindsight. I’m sure it won’t be long until I am feeling nostalgic for this period of my life, but I am fortunate enough to have found someone whom I prefer to be with far more than I enjoy being alone. I haven’t thought of a clever name for the period I am entering, and I find the term ‘cohabiting’ incredibly cringe worthy. All I know is that I’m as excited, if not more, for this journey than I was for the last… and at least now I will have someone to give me the Heimlich.

 

Why I Can’t Stop Watching the Finale of Fleabag

“Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there. So no wonder it’s something we don’t want to do on our own. I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.”

Spoilers to follow. If you haven’t watched Fleabag by now, what are you doing??

The series finale to BBC’s Fleabag aired nearly 7 months ago, and yet for some reason I’ve re-watched the episode upwards of ten times since it was originally broadcast. I think it might be one of the most beautiful pieces of television I’ve watched in my entire life, and every time I re-watch it I find a different reason why.

It’s God, isn’t it?

I have watched the final scene of Fleabag so many times that if it were a VHS it would be gray and fuzzy. The scene is so heartbreakingly engrained in my brain that whenever I hear Alabama Shakes’ ‘This Feeling,’ I immediately feel melancholy. Over the course of two series, we bear to witness the sheer chaos that is Fleabag’s relationships with everyone around her. She resents her (soon-to-be) step-mother (and with good reason), seems incapable of connecting with men outside of sex, and is constantly grappling with the role that she played in the loss of her best friend, Boo. The only person that seems to ‘get’ Fleabag, at times even against her will, is the Priest. It is for this reason that it is so incredibly heartbreaking watching Fleabag and the Priest sit at the bus stop and simultaneously come to the realisation that they love each other, but can never be together. ‘It’s God, isn’t it?’ Fleabag says, her voice cracking.

The first time I watched this scene it ripped my heart open, and out spilled the countless times I have been in Fleabag’s shoes. For me, instead of waiting for a bus, I was sitting at the edge of a boy’s bed with one shoe on, desperately trying to get him to explain why he couldn’t love me before my Uber arrived. I can’t even remember what he said, and it took me awhile to realise that it didn’t really matter. Still I wish, like the Priest, that he had blamed God. At least then, I would know that my heartbreak was because of something bigger than me, regardless of what I actually believe. Instead, the only certainty I was given was the look on his face that said I would never see him again.

‘I love you.’ ‘It’ll pass.’ This line hit me so hard in the proverbial feels that I just impulsively paid £12 on Etsy to have it engrained on a necklace. Love does pass. That is the thing about love and grief – they come and go and will eventually pass over you if you let them. This, however, does not ease the pain of someone that you love encouraging you to let it pass. Nor, in the case of the Priest, does it ease the pain of telling someone who loves you and whom you love back that they should let you go. In summary, this five word exchange is sheer agony to witness on screen. Despite how close to home this scene always hits, I commend Fleabag for avoiding the stereotypical happy ending and instead tying up Fleabag’s loose ends in a way that is real and universal. Whether you want to comfort Fleabag from experience that she will get through this, or cry on her shoulder because ‘it’ still hasn’t passed over you, this moment is an incredibly accessible display of heartbreak.

My sister, who in many ways is the Claire to my Fleabag, has always had this idea that Netflix should let you make episode playlists based on different moods or themes. I think she came up with this idea for the purpose of making a Christmas playlist of all the best Christmas episodes of Friends, The Office, How I Met Your Mother, but I imagine my Netflix playlists would be a lot more emotionally self indulgent. Fleabag‘s finale would be on the top of my playlist for when I simply need to feel, when I’m hungover and anxious, when I had a long meaningless day at work, when I just want to feel a little indulgent catharsis. This is the essence of Fleabag, the fact that for all its outlandishness, it is so incredibly raw. None of us are Fleabag, and yet amidst her heartbreak, lust, love, and vulnerability, Fleabag is all of us.

How Fleetwood Mac Has Carried Me Through My Twenties

I’ve loved Fleetwood Mac as long as I can remember. In fact, I’ve loved Fleetwood Mac since before I even knew who Fleetwood Mac was. I grew up singing along to the likes of ‘Rhiannon’, ‘The Chain’ and ‘Dreams,’ but it wasn’t until I was about 15 and on a road trip to Wisconsin with my parents that I realised all of these songs were by the same band.

All your life you’ve never a seen a woman taken by the wind

Once I made this connection, Fleetwood Mac were regular repeats on my iPod throughout my teen years. However, it wasn’t until my twenties that I started to really listen to the lyrics and experience them on a visceral level. For those of you who aren’t familiar with the history behind Fleetwood Mac and the recording of Rumours, I highly recommend giving it a Google search on your next lunch break. In summary, in 1976 on the tail of Fleetwood Mac’s massively successful, self-titled album, every member of the band was in complete romantic turmoil. More importantly, they were in complete romantic turmoil with each other. Christine and John McVie divorced after 8 years of marriage, Stevie Nicks and Lindsey Buckingham were constantly on and off again, and Mick Fleetwood found out that his wife was cheating on him with his best friend. Most people would probably take a breather and a step back, and I wouldn’t be surprised if their record producers wanted them to. However, I’m really glad they didn’t. Instead, they joined together in the studio to record one of the greatest albums of all time: Rumours. Songs that are now household names, such as ‘Go Your Own Way’ and ‘Songbird’, were recorded while all the members of Fleetwood Mac where whacked out on cocaine and breaking up with each other. Really puts the drama of your 20s into perspective, doesn’t it? Fleetwood Mac took the most painful, raw feelings that all humans experience in one way or another, and they turned them into art.

I’ve been afraid of changing cause I built my life around you

As if this isn’t astonishing enough, their success was not remotely manufactured. The power of their experiences translated into a platinum studio album as well as one of the greatest live albums ever recorded: The Dance (1997). Personally, I am not a fan of live albums. The sound quality generally leaves much to be desired, and there is something incredibly impersonal about listening to a live concert that you didn’t attend. I’d much rather imagine that Stevie Nicks is singing softly in my ear than listen to thousands of fans cheer in the background. However, The Dance is the only live recorded album that I personally think is better than any studio album that a band has recorded. The reason for this is simple: recording live allowed Fleetwood Mac to live all of the emotion and heartbreak that they felt 22 years prior on stage and for all to see. Next time you fret about running into your ex in the grocery store, think about the fact that Stevie Nicks stared down Lindsey Buckingham in front of thousands of people and sang, ‘You’ll never get away from the sound of the woman that loves you.’

I’m not suggesting that we should all drag our exes on stage during our next karaoke night and expect a platinum record and Rock ‘n Roll Hall of Fame induction. However, there is something to be said for taking the heartbreak that we all have to go through and turning it into something that is bigger than us. Even if that something is just the knowledge that whatever feels like the end of the world right now will probably be a laughing matter sooner than we realise. If Stevie Nicks can walk into a studio with her ex and sing her heart out to songs that he wrote, we can each face seeing our ex-boyfriend with his new girlfriend on Instagram. If Christine McVie can get on stage with her ex-husband over 40 years after they divorced, we can each face work after a rather embarrassing Christmas party performance.

I can still hear you saying you would never break the chain

The history behind Rumours is the stuff of legends. Countless interviews, articles, and books have marveled at the fact that Fleetwood Mac was able to achieve a timeless hit amidst all of the drugs and infidelity. The story that, in my opinion, isn’t told enough, is the story of the female friendship between Nicks and McVie. Too often in our society, the narrative is spun to pit women against each other. Magazines and newspapers can never get enough of the supposed rivals between Beyonce and Rihanna, Jen and Angelina, and the women of Sex and the City. Because I am inundated with this ‘catfight culture’ on a constant basis, I always assumed Stevie Nicks and Christine McVie have a deep rivalry. After years of doing drugs together and recording music with each other’s exes, surely there was some female bad blood? After listening to Christine McVie’s episode of Desert Island Discs, as well as reading a 2013 article from The Guardian, I realised I couldn’t have been more wrong. Nicks and McVie have unwavering support for one another, and have stood by each other’s side through the most challenging times of heartbreak and addiction. This might be the greatest Fleetwood Mac lesson of all for a woman in her twenties: hang on to your girls, your babes, your female tribe, and you can never go too far wrong. Just maybe don’t do as much cocaine.